Pauline Vanden Neste

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	<title>Pauline Vanden Neste</title>
	<link>https://paulinevandenneste.com</link>
	<description>Pauline Vanden Neste</description>
	<pubDate>Wed, 30 Jun 2021 14:41:58 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://paulinevandenneste.com/Home</link>

		<pubDate>Wed, 30 Jun 2021 10:11:57 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

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&#60;img width="850" height="1134" width_o="850" height_o="1134" data-src="https://freight.cargo.site/t/original/i/6f9ee9684428d199bcef8a556ac394fef9e1f618f0a35cda73336f9e2f0ed12a/Expovente-gaza.jpg" data-mid="237008440" border="0" data-scale="28" src="https://freight.cargo.site/w/850/i/6f9ee9684428d199bcef8a556ac394fef9e1f618f0a35cda73336f9e2f0ed12a/Expovente-gaza.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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		<title>Works</title>
				
		<link>https://paulinevandenneste.com/Works</link>

		<pubDate>Wed, 30 Jun 2021 14:41:58 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

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&#38;nbsp;

&#60;img width="2354" height="3543" width_o="2354" height_o="3543" data-src="https://freight.cargo.site/t/original/i/b47a38d7a777a6cc31b009c1d2e77ed93b470dd5c10ebb5960ed1c0e98ed9199/3PNG.png" data-mid="112716794" border="0"  src="https://freight.cargo.site/w/1000/i/b47a38d7a777a6cc31b009c1d2e77ed93b470dd5c10ebb5960ed1c0e98ed9199/3PNG.png" /&#62;

on est venus ici pour la vue

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zones


trop proches, ce n’est pas assez


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		<title>About</title>
				
		<link>https://paulinevandenneste.com/About</link>

		<pubDate>Mon, 28 Jun 2021 15:15:36 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

		<guid isPermaLink="true">https://paulinevandenneste.com/About</guid>

		<description>


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
	A photograph is a secret about a secret. The more it tells you the less you know
D. Arbus
Expositions
2021 « On est venus ici pour la vue » avec Tom Lyon, L’Enfant Sauvage, Bruxelles2021 « 

Ce qui reste », exposition collective PhotoTwens Unexposed, 30CC, Leuven2021 « 


Ce qui reste


 », exposition collective Prix du Hainaut des Arts Plastiques, Anciens Abattoirs, Mons
2022 « 


Ce qui reste

 
 », Contretype, Bruxelles

2022 « 


Ce qui reste


 », exposition collective Nôtre, &#38;nbsp;La Châtaigneraie, Flémalle
 

2023 « 


Ce qui reste


 », exposition collective Prix Médiatine 2023, La Médiatine, Bruxelles
2023 «

Ce qui reste

 », exposition collective A sense of place, B-part, Berlin2023 « 


Ce qui reste


 », exposition collective Les Boutographies, Pavillon Populaire, Montpellier


2023 « Songe », projection Prix Maison Blanche, Marseille

2024 « Ce qui reste », Centre de la Gravure et de l’Image Imprimée, La Louvière
2024 « Zones » avec Tom Lyon et Nordine Saïdi, exposition collective CurieuCity, Bruxelles
2024 « Zones » avec Tom Lyon et Nordine Saïdi, exposition collective PNPO, Musée de la Photographie, Charleroi

2024 « Zones » avec Tom Lyon et Nordine Saïdi, Gilbard, Bruxelles

2025 « Zones »&#38;nbsp; avec Tom Lyon et Nordine Saïdi, Chez Olivia Project Room, Bruxelles


2026 (à venir) « Mirror Mirror », exposition collective Biennale de l’Image Possible, Chiroux, Liège

2026 (à venir) « Ce qui reste », Centrissime, La Louvière


Editions

2021 « On est venus ici pour la vue » avec Tom Lyon, Éditions la CAB


2026 (à venir) « Ce qui reste », Éditions la CAB


Awards

2021 Prix Roger de Conynck, Fondation Roi Baudoin2021 Sélection Prix du Hainaut des Arts Plastiques&#38;nbsp;2021 Lauréate PhotoTwens&#38;nbsp;


2021 Lauréate Propositions d’artistes, Contretype
2022 Sélection Belgium Photobooks de l’édition “On est venus ici pour la vue”, Rencontres de la photographie d’Arles


2023 Sélection officielle, Prix Médiatine&#38;nbsp;
2023 Sélection officielle, Les Boutographies 

2023 Sélection Belgian Photo Meeting, Rencontres de la photographie d’Arles
2024 Prix Roger Anthoine, Musée de la Photographie de Charleroi2025 Fonds Roger de Conynck, Fondation Roi Baudouin

2026 Bourse SOFAM

2026 Bourse Culture Moves Europe, Goethe Institut


2026 Lauréate Openfolio #6, Institut pour la Photographie de Lille


Résidences

2021 Résidence Le Grand Chemin, Cité des Arts, Saint-Denis de la Réunion FR

2024 Résidence Libitum, Ad Lib Diffusion, Gaume BE
2026 

 
Résidence Culture Moves Europe, Goethe Institut x The Docks, Naples IT
2027 (à venir) Résidence RAVI, Liège BE
Presse
2020 « We came here for the view » Pauline Vanden Neste &#38;amp; Tom Lyon, Broad Community 
2020 « Et au milieu coule un canal : Pauline Vanden Neste et Tom Lyon » Colin Delfosse, Médor 
2021 « Quartier Aurore : à la rencontre des habitants du bord de l’eau », Sophie Soukias, Bruzz


2021 « Prix du Hainaut et plasticités du monde d’après », Pierre Hemptine, Point Culture
2021 

« L’incessant carrousel bruxellois : On est venus ici pour la vue » Jean-Marc Bodson, La Libre


2022 « Une technique, des façons de voir 

 » 

Jean-Marc Bodson, La Libre
2022 « Trio de printemps - Exposition Contretype » Oriane Thomasson, Mu in the City

2022 « Coups de coeur -&#38;nbsp; Selvesportrait et Pauline Vanden Neste

 » Lou Tsatsas,&#38;nbsp; Fisheye Magazine2022 « Focus : comment les photographes documentent l’habitat et les quartiers de Bruxelles » Cyprien Houdmont, BX1
2023 « Sélection Prix Médiatine : Pauline Vanden Neste » Estelle Spoto

2023 « Par Ouï-dire - Façons de voir : 40 ans du Prix Médiatine » Fabrice Kada, RTBF

2023 « Songe - Pauline Vanden Neste », Safelight Paper

2023 « Songe - Pauline Vanden Neste », Blind Magazine

2023 « Zones - Pauline Vanden Neste &#38;amp; Tom Lyon », Dé/nicher, Karoo,


2024 « Pauline Vanden Neste - La vitalité des territoires en friche », Culture Hainaut, Daisy Van Steen


2025 « Autrement : un autre regard - Zones » Cyprien Houdmont, BX1

2025 « Met Zones toont PhotoBrussels Festival een andere kanaalzone, interview », Sophie Soukias, Bruzz


2025 « Zones, entre deux mondes - Vanden Neste,&#38;nbsp; Lyon &#38;amp; Saïdi », Sarah Kerlovéou, Karoo
2025 « Zones », review PhotoBrussels Festival, Jean-Marie Wynants, Le Soir


Collection


Musée de la Photographie de Charleroi


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		<title>Contact</title>
				
		<link>https://paulinevandenneste.com/Contact</link>

		<pubDate>Wed, 30 Jun 2021 10:09:24 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

		<guid isPermaLink="true">https://paulinevandenneste.com/Contact</guid>

		<description>paulinevandenneste@hotmail.com


+32 495 92 70 90

︎


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		<title>Rives</title>
				
		<link>https://paulinevandenneste.com/Rives</link>

		<pubDate>Sat, 26 Jun 2021 14:26:57 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

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		<description>1. Rives


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2019
Rives
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; And with them, or after them, may there not come that even bolder adventurer — the first geolinguist, who, ignoring the delicate, transient lyrics of the lichen, will read beneath it the still less communicative, still more passive, wholly ate&#38;nbsp;


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		<title>Walter Pater</title>
				
		<link>https://paulinevandenneste.com/Walter-Pater-1</link>

		<pubDate>Sat, 26 Jun 2021 14:26:58 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

		<guid isPermaLink="true">https://paulinevandenneste.com/Walter-Pater-1</guid>

		<description>2. Walter Pater


	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/c242e961677e6c1660576645169e70f8dd816569faf60ea3a1477f20cc5bf3a9/g.jpg" data-mid="112378495" border="0"  src="https://freight.cargo.site/w/1000/i/c242e961677e6c1660576645169e70f8dd816569faf60ea3a1477f20cc5bf3a9/g.jpg" /&#62;
	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/828eaf2939fce33a7e7efc22793555135f08f89e84ec59fb60bbe278131549aa/bb.jpg" data-mid="112378496" border="0"  src="https://freight.cargo.site/w/1000/i/828eaf2939fce33a7e7efc22793555135f08f89e84ec59fb60bbe278131549aa/bb.jpg" /&#62;


WP / 1873
From Studies in the History of the Renaissance 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Like the elements of which we are composed, the action of these forces extends beyond us; it rusts iron and ripens corn. Far out on every side of us those elements are broadcast, driven by many forces; and birth and gesture and death and the springing of violets from the grave are but a few out of ten thousand resultant combinations. That clear, perpetual outline of face and limb is but an image of ours, under which we group them - a design in a web, the actual threads of which pass out beyond it.


	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/af714e59d1c0801c590eb145d00f2cc1d622067790157999ad01fe261410cd16/aa.jpg" data-mid="112378497" border="0"  src="https://freight.cargo.site/w/1000/i/af714e59d1c0801c590eb145d00f2cc1d622067790157999ad01fe261410cd16/aa.jpg" /&#62;
001a

	&#60;img width="2000" height="2551" width_o="2000" height_o="2551" data-src="https://freight.cargo.site/t/original/i/aa45f9524f4926f4e12f565eb471f61ab0bbf6a58b40c28c87d45f87e432f450/cc.jpg" data-mid="112378498" border="0"  src="https://freight.cargo.site/w/1000/i/aa45f9524f4926f4e12f565eb471f61ab0bbf6a58b40c28c87d45f87e432f450/cc.jpg" /&#62;
001b
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		<title>Thomas Kuhn</title>
				
		<link>https://paulinevandenneste.com/Thomas-Kuhn-1</link>

		<pubDate>Sat, 26 Jun 2021 14:26:58 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

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		<description>3. Thomas Kuhn &#38;nbsp;


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TK / 1962
From The Structure of Scientific Revolutions
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Yet one standard product of the scientific enterprise is missing. Normal science does not aim at novelties of fact or theory and, when successful, finds none. New and unsuspected phenomena are, however, repeatedly uncovered by scientific research, and radical new theories have again and again been invented by scientists. 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The practice of normal science depends on the ability, acquired from exemplars, to group objects and situations into similarity sets which are primitive in the sense that the grouping is done without an answer to the question, “Similar with respect to what?” One central aspect of any revolution is, then, that some of the similarity relations change. Objects that were grouped in the same set before are grouped in different ones afterward and vice versa. Think of the sun, moon, Mars, and earth before and after Copernicus; of free fall, pendular, and planetary motion before and after Galileo; or of salts, alloys, and a sulpuhur-iron filing mix before and after Dalton.


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/81cbeaaf1cb94c3394f999c2487775d300f3de4d20b1ab9527db0c75ac1c7377/1.jpg" data-mid="112378499" border="0"  src="https://freight.cargo.site/w/1000/i/81cbeaaf1cb94c3394f999c2487775d300f3de4d20b1ab9527db0c75ac1c7377/1.jpg" /&#62;

&#60;img width="2000" height="2786" width_o="2000" height_o="2786" data-src="https://freight.cargo.site/t/original/i/b608340a741d7a9fd2f42fb184867ca5e93f6e0f4f369ad7738587a19a6ca067/a.jpg" data-mid="112378501" border="0"  src="https://freight.cargo.site/w/1000/i/b608340a741d7a9fd2f42fb184867ca5e93f6e0f4f369ad7738587a19a6ca067/a.jpg" /&#62;</description>
		
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		<title>Loren Eiseley</title>
				
		<link>https://paulinevandenneste.com/Loren-Eiseley-1</link>

		<pubDate>Sat, 26 Jun 2021 14:26:59 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

		<guid isPermaLink="true">https://paulinevandenneste.com/Loren-Eiseley-1</guid>

		<description>4. Loren Eiseley


	&#60;img width="2000" height="2700" width_o="2000" height_o="2700" data-src="https://freight.cargo.site/t/original/i/52edac0a32ddee92e030f8abeb8d0863df298c6e5f7f66f163e55dc4682783a8/22.jpg" data-mid="112378502" border="0"  src="https://freight.cargo.site/w/1000/i/52edac0a32ddee92e030f8abeb8d0863df298c6e5f7f66f163e55dc4682783a8/22.jpg" /&#62;
	&#60;img width="2000" height="2700" width_o="2000" height_o="2700" data-src="https://freight.cargo.site/t/original/i/6ec529f96bf3a266636f9b02c683868d2073b83d92b39b12f2678b837d5e58ec/11.jpg" data-mid="112378503" border="0"  src="https://freight.cargo.site/w/1000/i/6ec529f96bf3a266636f9b02c683868d2073b83d92b39b12f2678b837d5e58ec/11.jpg" /&#62;


LE / 1957
From The Immense Journey
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.


&#60;img width="2000" height="2509" width_o="2000" height_o="2509" data-src="https://freight.cargo.site/t/original/i/9f15a9a346e395667b6b4d0811b722b055f813700d5ed5914eaeaf061558b729/d.jpg" data-mid="112378504" border="0"  src="https://freight.cargo.site/w/1000/i/9f15a9a346e395667b6b4d0811b722b055f813700d5ed5914eaeaf061558b729/d.jpg" /&#62;

Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.
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		<title>Index</title>
				
		<link>https://paulinevandenneste.com/Index-1</link>

		<pubDate>Sat, 26 Jun 2021 14:26:59 +0000</pubDate>

		<dc:creator>Pauline Vanden Neste</dc:creator>

		<guid isPermaLink="true">https://paulinevandenneste.com/Index-1</guid>

		<description>
	
	
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;rives
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;on est venus ici pour la vue
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; zones
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;retour à La Louvière
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Je viens de toutes mes nuits
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